foe / CC

Wow, this is huge! Seriously, you may want to sit down for this one.

In a historic first, the Spanish Parliament is expected to pass legislation that will extend rights to great apes. Yes, you read that right. The resolutions bringing Spanish law in line with the recommendations of the Great Ape Project will not only outlaw experimentation on apes but will also make it illegal to exploit them for films and TV. Boo-ya! The new legislation has been approved by Parliament's environmental committee and has strong enough support that it is expected to become law within a year.

Woo-hoo! Way to go, Spain! Come on, America, what's the dealio?

By the way, if you want to do something for apes and other primates in the U.S. of A. (since we're not going to be able to get them all Spanish visas), be sure to tell your senators to support the Captive Primate Safety Act. Really. Go.

Posted by Jeff Mackey

In the '80s, when PETA began pushing cosmetics companies to stop testing their products on animals, those companies insisted that there were no alternatives to dripping mascara into rabbits' eyes and pumping copious quantities of lip gloss into the stomachs of guinea pigs. Miraculously, when consumers began sending cruelly tested products back to the companies and demanding their money back, the giants of the cosmetics industry—Avon, Mary Kay, Revlon, and others—found alternatives. Ah, what a difference a little incentive makes!

For years, PETA has been saying that non-animal alternatives are faster, cheaper, and more effective than animal tests, and just last summer, a report published by the not-so-shabby National Academy of Sciences said much the same thing. But as long as the federal government continues to pour money into cruel and pointless animal tests—and as long as vivisectors can map out a tenured career for themselves feeding at the government trough—animal experiments will continue. And even as we work to hold up a mirror to the evil that is vivisection, we need more incentives for non-animal research.

World-famous primate expert Dr. Jane Goodall hit the nail on the head last week when she appealed to the European Union to end the use of animals in experimentation, suggesting that a Nobel Prize be conferred for scientific breakthroughs that use "new ways of testing and experimenting that will not involve the use of live, sentient beings." She added, "We need to recognize at the outset that what we do to animals from their perspective certainly, and probably from ours, is morally wrong and unacceptable."

It's not the first time that Dr. Goodall has ignited a firestorm of controversy, throwing monkey wrenches into conventionally held prejudices and preconceptions. In 1960, Dr. Goodall shook the world by documenting tool use in chimpanzees, an ability that was believed to be uniquely human. Her mentor famously commented, "Now we must redefine tool, redefine Man, or accept chimpanzees as humans."

Forty-eight years later, Dr. Goodall continues to turn conventional thinking on its head, and our guess is that she's right once again!

—Grace

Posted by Grace Friedan

comicbookmovie / CC

Quick recap for you, in case you missed it:

1) Late last summer, PETA contacted the producers of Speed Racer to urge them to use alternatives to live animals on set, after a chimpanzee bit a young actor.
2) Despite thousands of emails from individuals who were made aware of this abuse by PETA’s campaign, the Speed Racer team continued to use live animals—and another incident occurred in Germany: A representative of the American Humane Association (AHA) witnessed a trainer hitting a chimpanzee on set.
3) The AHA gave the movie an “unacceptable” rating on their site. No one noticed.

The question here is as follows: What is the point of having a representative of your organization on the sets of movies if the only thing they’re empowered to do is write a bad review on their website? Why not just send the guy from IWatchStuff.com? He could do all that and make it witty and interesting.

The other point here (which the AHA conveniently glosses over) is that most abuse occurs off the set, during training. Even when the AHA rates a movie "unacceptable,” as with this case, the animal trainer is allowed to continue working with the animal. And when the film-industry-funded AHA does rate a film "acceptable," all that means is that no animals were harmed on the set while in plain sight of an AHA representative. Which is like saying you know your kids don’t smoke pot ’cuz you’ve never seen them doing it.

There are some things that can be done, though. PETA's German affiliate has just filed a formal complaint in Potsdam calling for an immediate investigation and the filing of all appropriate charges against Greg Lille, the California-based animal trainer who assaulted the chimpanzee on the Speed Racer set. If Greg Lille is found to have violated German animal protection laws, it’ll be a lot harder for him to ever work with animals in the future. We’ll let you know how that turns out. And there’s plenty more information about PETA’s campaign to get animals out of show business for good on our No More Monkey Business website.

P.S. Speed Racer was a monumental box office disaster. :-)

PETA’s campaign to get the great apes out of advertising has been hitting some pretty big home runs lately—by way of a recap, our ad in Variety magazine calling for Hollywood insiders to blow the whistle on animal abuse received international media coverage. Then, shortly after that, I brazenly took credit for Speed Racer’s poor box performance on this very blog.

Raising awareness about the campaign is all very well, but it’s also nice to have something to show for it, and the recent decisions by multi-billion-dollar companies Subaru and CDW not to renew their ad campaigns featuring great apes are very real victories along the way to getting great apes out of advertising for good.

Subaru was given a PETA Compassionate Business Award last month after they made the following promise:

"Due to the issues surrounding their use in the entertainment industry, Subaru of America will not employ primates in its advertising in the future."

The folks at computer-equipment company CDW did things the other way round—they moved on to an ape-free ad campaign after we gave them a Litterbox Award for animal-unfriendly advertising (for the commercial with the dude and the chimpanzee setting up an office on a desert island).

But no matter how they come about, these are big victories, and it’s great to see major companies taking responsibility and helping other executives realize that any time an ad company suggests they trot out a chimpanzee for a new campaign, it’s time to hire a new ad company.

P.S. This just in – MovieTickets.com have just confirmed for us that they’ve ceased airing their ads which featured chimpanzees, and that they will no longer use great apes in their ad campaigns. Boo ya!

comicbookmovie / CC

Well, after a ton of hype, the Wachowski Brothers’ live action version of Speed Racer has turned out to be a really, incredibly expensive mistake. Just ask Perez.

Although I’m certainly not above gloating about a major Hollywood flop for no other reason than the sheer pleasure of it, there’s actually a bit of history to this one, since PETA contacted the Wachowski Brothers in July of last year about reports that a chimpanzee used on the set of Speed Racer had bitten one of the actors. The issue here is that, almost invariably, great apes used in film are beaten and abused to make them perform (hence, the occasional biting), then cast aside at filthy roadside zoos (or worse) once they’ve outlived their usefulness--no older than age 8! Angelica Huston recently filmed a great PSA for us on this issue, which you can watch here.

I’m willing to concede the remote possibility that there were some other factors that contributed to Speed Racer’s downfall in addition to the bad publicity they got from PETA (like, it could just be a lousy movie), so let’s just call this karma, and we’ll hope the movie’s producers can find a formula in future that doesn’t involve either a) abusing monkeys, or b) making sucky movies. Good luck next time, guys.

This ad, along with details on a hotline that whistleblowers who witness abuse on movie sets can call, appeared in Variety magazine this week

A while back a whistleblower from the set of Speed Racer reported that one of the chimpanzees used to play Speed Racer’s sidekick, Chim Chim, was beaten during filming and bit a human actor. The Speed Racer movie is coming out next week, and while the industry’s fleeting attention is attuned to the issue of animal abuse in Hollywood—especially after a bear used in the recent Will Ferrell movie attacked and killed his trainer—we figured now was the perfect time to encourage Hollywood insiders to speak up when they see abuse. Because nobody else is doing it right now.

A full-page ad prominently placed in yesterday's Variety magazine calls on Hollywood insiders who witness or suspect animal abuse in the production of a movie to immediately report the incident to PETA via a special hotline. Here’s what PETA Director Debbie Leahy told the media:

"Beating and shocking great apes who are used as 'actors' is the rule—not the exception. We're urging anyone involved in any facet of film production who has witnessed or suspects animal abuse to report it to PETA immediately."

The story’s been making its way around the blogosphere today. There’s a good write-up on Deadline Hollywood Daily, and there’s tons more info on our campaign to prevent animals from being abused behind the scenes in movies and on TV on our cleverly titled “No More Monkey Business” website.

P.S. Check out the sweet article about the issue on HuffPo.

P.P.S. You can tell Warner Bros. that you’re boycotting their Speed Racer movie through this webform.

In early February, after we were alerted to the fact that Will Ferrell's latest movie, Semi-Pro, was to feature scenes in which Will (or, more likely, a stunt double) wrestled a live bear, PETA sent a letter to his agents letting them know about the very real cruelty that goes on behind the scenes any time an "animal actor" is trawled out for a stunt in a movie. The disturbing news that the very same bear who was used in the movie attacked and killed his trainer yesterday has put the whole thing in a new light.

It's pretty rare that people catch a glimpse of the way the animals they see in TV shows or movies are really treated (as you might imagine, they're not natural actors — they're often beaten to perform). But we're hoping that this incident, sad as it is, will encourage Hollywood actors to take a stand against performing with animals, who want to be movie stars about as much as they want to be stuck in a cage for the rest of their lives (which is pretty much the standard accommodation for a great many of the animals who are used by Hollywood). The only really surprising thing about yesterday's tragic bear attack is that it didn't happen sooner.

We're asking Will Ferrell to pledge never to act with wild animals again. I'll let you know if he gets back to us. In the meantime, you can read our letter here.

comicbookmovie/Creative Commons

So the Wachowski Brothers (the geniuses behind The Matrix) have been holed up for a while working on a live action version of the '60s cult cartoon Speed Racer. Sounds pretty awesome, except that they've made the decision to use a real chimpanzee to portray Speed Racer's simian friend Chim Chim. And, as always when a primate is used in filming, it is an absolute guarantee that there's behind-the-scenes abuse—even when those half-awake film enthusiasts at the American Humane Association are on the job. The fact is that while the original, animated Chim Chim never had any trouble mugging for the camera, the new guy on the job can think of about a million things that he'd rather be doing than performing for the Wachowski brothers. For most chimpanzees used on set, this natural aversion to stardom means that severe beatings, intimidation, and all-round lousy treatment are standard tools of the trade for the trainers who are paid to make them perform. And according to our source on set, the chimp being used for this movie is no exception, which may well explain why he recently deviated from the script and bit a child actor.

ucla/Creative Commons

We've been communicating back and forth with the movie's producer, Joel Silver, asking that he make the humane decision and use animatronics instead of live animal actors. I'll keep you posted on any developments with this one, and you can read more about how that discussion's been going here. Incidentally, my favorite movie blog, I Watch Stuff, also covered the story, which pretty much made my day.

And finally, please click here to learn more and to ask that the Wachowski brothers use animatronics instead of live animals.

Breaking news here folks, and it's been 17 years in the making: In 1989, a video camera caught nightclub entertainer Bobby Berosini beating and punching the orangutans he used in his act at the Stardust. This week, Berosini lost yet another round in the court battle that has been going on ever since.

Instead of just paying PETA's court costs when we won the case the first time round, Berosini was forced by a federal district court to pay more than $250,000 incurred by PETA’s attorneys in trying to locate assets that he and his wife, Joan Berosini, had hidden after the initial legal battle. The U.S. Court of Appeals for the Ninth Circuit upheld that payment order, on top of the more than $400,000 in court costs Berosini had previously paid PETA. The real victory here, though, is for the animals depicted in the video below, which (just in case it wasn't clear from the whole hiding money and trying to manipulate the justice system deal) shows exactly what sort of a person this Berosini guy is.

$250,000 dollars is a hell of a lot of money to have paid, but after watching that video again, I'm not exactly welling up with sympathy for Mr. Berosini's misfortunes. As PETA's president, Ingrid Newkirk puts it,

“There’s a lesson here for any entertainers who still feel that beating animals is acceptable. Berosini kept intelligent apes locked up in steel boxes for years, and he can never pay back the animals for the nightly beating they endured.”